
Many did not like the length of this film, and at almost three hours that is understandable. A very ambient musical score, and McCauley's hard nosed desire for one last retirement plot make this picture sizzle. The layers of blue are shown to us in perfect form, when Val Kilmer is asleep on McCauley's floor after a fight with his wife. De Niro sets his gun on the counter, gets coffee for them both, and we see the Pacific Ocean behind them in it's early morning glory as Kilmer stumbles up. Michael Mann also achieves these perfect shots in "The Insider", in which he shows us Russel Crowe standing by a lake getting ready to testify against big tobacco. The simple, modern apartment which still has no furniture is the homage to the man who has everything but wants just a little more.

Amy Brenneman plays Eady, the lonely artist who McCauley meets in a bookstore. At first completely snubbing her, he falls for her lost persona, a delicate woman who moved out West. His desperation for companionship is a wonderful theme, and the real treats in this movie happen when Pacino and De Niro sit down together for Coffee. McCauley is told that "now that he has been sat down with in person, I am not going to like it when I am going to have to take you down". He returns the qoute by telling Pacino he neither will like it; and the stage is set for climax. a portrait of the busy highways, secret information being sold, banks letting themselves be ripped off for insurance money, and shoot outs in broad daylight, "Heat" is a modern winner of a film. Taking from some of the best dramatic scenes of his TV series "Miami Vice", Michael Mann shows us what the big boys do here when they sit down to making an epic gangster movie.
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